Redy Rahadian, which is now fully choose the sculpture as a visual communication, featuring might experience, may also perception, perhaps also its hopes and disappointments on the same site: Indonesia.But, Redy not take the distance with the site, as the orientalists and Indie group. He expressed himself in the presence of the site. He did not mention Indonesia, but Indonesiaku. There is the impression of a sense of belonging, as well as responsibility for what he owned it. He was not a spectacle, but a space in which the fate of the initiative as well as continuously strive existence. There is a desire to fix a bad thing, and build hope - new hope better, as reflected in the works exhibited.